There is another world, but it is in this one.

Paul Eluard. Œuvres complètes, vol. 1, Gallimard, 1968.

Sunday, September 30, 2018

Crown Jewels: The Valancourt Book of Horror Stories: Volume 3 ​Edited by James D. Jenkins and Ryan Cagle

The Valancourt Book of Horror Stories: Volume 3
​Edited by James D. Jenkins and Ryan Cagle

Absolutely first-rate. It is such a pleasure after forty years of reading horror to open an anthology and find that all the stories are new to me.

    The collection gets off to a ghoulishly roaring start with "Don't Go Up Them Stairs." I had always been of the received opinion that Chetwynd-Hayes was a mediocrity. One of the many benefits of these Valancourt collections has been to correct that opinion.

Forrest Reid COURAGE
    A lovely story about a boy having to grow up too soon. Which has been one of the genre's major motifs. Reid handles the material with a fine-tuned chilliness.

    A well-turned story about madness on the Canadian plains. The element of coincidence is nicely disguised.

Steve Rasnic Tem THE PARTS MAN
    My encounter with Tem has been delayed for three decades. But after reading "The Parts Man" I can see where his reputation for excellence comes from. The protagonist's emotionally charged and physically devastating reckoning with a lifetime's habit of inflicting pain on others is unforgettable.

   The position of women in society is mirrored in horror. Mathers' story, a puzzle-piece, might outwardly resemble drawing room melodrama, but there is a steel spine here.

Charles Beaumont THE LIFE OF THE PARTY
    "The Life of the Party" is a perfectly engineered mousetrap. It waits for the reader, who begins tinkering with it out of arrogance.

    Short, but not slight. Edgar Allan Poe strenuously edited by Gordon Lish.

    Hartley is always a pleasure. The plain hard work required to create stories that strike the reader as effortless apologues is cause for thanksgiving. "Monkshood Manor" is pure Hartley: inevitable doom expressed as individual psychology.

    Two women make their way in the world. One works, the other survives as a social  parasite. Each faces a different reckoning.

James Purdy MR EVENING
    Purdy is new to me, and "Mr. Evening" is a weird and unsettling masterpiece.

Elizabeth Jenkins ON NO ACCOUNT, MY LOVE
    Jenkins, like Hartley, is a jeweler. Every story element is brought together to make something sublime.

    The biter bit.

    Keir Cross' collection The Other Passenger gave me a more than a few unsettled days. "Mothering Sunday" is filled with the same smothering level of dread. And the best snowman this side of Ramsey Campbell.

Simon Raven THE BOTTLE OF 1912
    A postwar family reunion. (As written by His Satanic Majesty).

Ethel Lina White 'WITH WHAT MEASURE YE METE . . .'
    I assumed White would be a writer of "Had I But Known" material. But in this story the atmosphere of confusion and the author's crafty indirection result in something very modern.

Robert Westall BEELZEBUB
     The perfect complement to the Chetwynd-Hayes story that opened this collection. Superb comedy, genuinely disturbing.

30 September 2018

Machen's doctors: Notes toward a review of The Great God Pan and Other Horror Stories (Oxford University Press 2018).

                               These are the Alps
Fools! Sit down and wait for them to crumble!

--Basil Bunting, "On the Flyleaf of Pound's Cantos"

The Great God Pan and Other Horror Stories by Arthur Machen. Edited by Aaron Worth. (Oxford University Press 2018).

Machen, the hidden master obscured under Wilde, Marsh, Stoker, Stevenson, and Conan Doyle, is canonized by Oxford University Press.

And high time, too. Machen is the great semi-colonial (Wales) aesthetic perfectionist, though I suspect his sublime style and tone of voice was taken for granted by himself, since it is so unerringly and consistently applied from start to finish in his ouvré.

*  * *

I found Machen at age 51, one year ago. To paraphrase Engels, a reader does not start on an author until he is ready to appreciate/conquer him. (For me: King, age 14; Lovecraft: age 15; Wodehouse: age 24; M.R. James, age 27; Machen, age 51.) This belated "encounter" with Machen probably accounts for the deep emotional response I have to his work. For instance: a grown man and hardened Marxist weeping every time he reads "The Tree of Life." Or getting gooseflesh every time the sublime story "N" is finished.

*  * *

Machen's Doctors

I used to think Machen's diabolical women were a product of his era's patriarchal sexism.

Reading anew in The Great God Pan and Other Horror Stories, I find quite the opposite. Our Arthur was prematurely #MeToo.

"The Great God Pan" is the tragedy of Helen Vaughan. Dr. Raymond may be remorseful in the end, but the ruination of two women and the suicides of many men cannot be scrubbed from his escutcheon. A rope without "an inch of jute" should have been offered him.


Dr. Black in "The Inmost Light" is a vile narcissist. A man-child rejecting adult responsibility in employment and in the duties of matrimony:

....'Ever since I was a young man'— the record began —'I devoted all my leisure and a good deal of time that ought to have been given to other studies to the investigation of curious and obscure branches of knowledge. What are commonly called the pleasures of life had never any attractions for me, and I lived alone in London, avoiding my fellow students, and in my turn avoided by them as a man self-absorbed and unsympathetic. So long as I could gratify my desire of knowledge of a peculiar kind, knowledge of which the very existence is a profound secret to most men, I was intensely happy, and I have often spent whole nights sitting in the darkness of my room, and thinking of the strange world on the brink of which I trod. My professional studies, however, and the necessity of obtaining a degree, for some time forced my more obscure employment into the background, and soon after I had qualified I met Agnes, who became my wife. We took a new house in this remote suburb, and I began the regular routine of a sober practice, and for some months lived happily enough, sharing in the life about me, and only thinking at odd intervals of that occult science which had once fascinated my whole being. I had learnt enough of the paths I had begun to tread to know that they were beyond all expression difficult and dangerous, that to persevere meant in all probability the wreck of a life, and that they led to regions so terrible, that the mind of man shrinks appalled at the very thought. Moreover, the quiet and the peace I had enjoyed since my marriage had wiled me away to a great extent from places where I knew no peace could dwell. But suddenly — I think indeed it was the work of a single night, as I lay awake on my bed gazing into the darkness — suddenly, I say, the old desire, the former longing, returned, and returned with a force that had been intensified ten times by its absence; and when the day dawned and I looked out of the window, and saw with haggard eyes the sunrise in the east, I knew that my doom had been pronounced; that as I had gone far, so now I must go farther with unfaltering steps. I turned to the bed where my wife was sleeping peacefully, and lay down again, weeping bitter tears, for the sun had set on our happy life and had risen with a dawn of terror to us both. I will not set down here in minute detail what followed; outwardly I went about the day's labour as before, saying nothing to my wife. But she soon saw that I had changed; I spent my spare time in a room which I had fitted up as a laboratory, and often I crept upstairs in the grey dawn of the morning, when the light of many lamps still glowed over London; and each night I had stolen a step nearer to that great abyss which I was to bridge over, the gulf between the world of consciousness and the world of matter. My experiments were many and complicated in their nature, and it was some months before I realised whither they all pointed, and when this was borne in upon me in a moment's time, I felt my face whiten and my heart still within me. But the power to draw back, the power to stand before the doors that now opened wide before me and not to enter in, had long ago been absent; the way was closed, and I could only pass onward. My position was as utterly hopeless as that of the prisoner in an utter dungeon, whose only light is that of the dungeon above him; the doors were shut and escape was impossible. Experiment after experiment gave the same result, and I knew, and shrank even as the thought passed through my mind, that in the work I had to do there must be elements which no laboratory could furnish, which no scales could ever measure. In that work, from which even I doubted to escape with life, life itself must enter; from some human being there must be drawn that essence which men call the soul, and in its place (for in the scheme of the world there is no vacant chamber)— in its place would enter in what the lips can hardly utter, what the mind cannot conceive without a horror more awful than the horror of death itself. And when I knew this, I knew also on whom this fate would fall; I looked into my wife's eyes. Even at that hour, if I had gone out and taken a rope and hanged myself, I might have escaped, and she also, but in no other way. At last I told her all. She shuddered, and wept, and called on her dead mother for help, and asked me if I had no mercy, and I could only sigh. I concealed nothing from her; I told her what she would become, and what would enter in where her life had been; I told her of all the shame and of all the horror. You who will read this when I am dead — if indeed I allow this record to survive — you who have opened the box and have seen what lies there, if you could understand what lies hidden in that opal! For one night my wife consented to what I asked of her, consented with the tears running down her beautiful face, and hot shame flushing red over her neck and breast, consented to undergo this for me. I threw open the window, and we looked together at the sky and the dark earth for the last time; it was a fine star-light night, and there was a pleasant breeze blowing: and I kissed her on her lips, and her tears ran down upon my face. That night she came down to my laboratory, and there, with shutters bolted and barred down, with curtains drawn thick and close, so that the very stars might be shut out from the sight of that room, while the crucible hissed and boiled over the lamp, I did what had to be done, and led out what was no longer a woman. But on the table the opal flamed and sparkled with such light as no eyes of man have ever gazed on, and the rays of the flame that was within it flashed and glittered, and shone even to my heart. My wife had only asked one thing of me; that when there came at last what I had told her, I would kill her. I have kept that promise.'

The Three Imposters: The Novel of the Black Seal offers us Dr. Gregg (pace Miss Lally). What are we to think of this respectable ethnologist? He brings a mentally challenged teenage Jervase Cradock into his home, whatever the skepticism of his own children's governess. Not of course as "catamite,", but treated with all the associated signifiers of a catamite.


30 September 2018

Monday, September 24, 2018

Face of fear: The House with the Brick-Kiln by E. F. Benson

....there came a crisp step on the gravel, a rattle at the front-door, and Jack came in.

“Good sport,” he said, “you gave up too soon.”

And he went straight to the table above which hung the picture of the man at the brick-kiln, and looked at it. Then there was silence; and eventually I spoke, for I wanted to know one thing.

“Seen anybody?” I asked.

“Yes. Why do you ask?”

“Because I have also; the man in that picture.”

Jack came and sat down near me.

“It’s a ghost, you know,” he said. “He came down to the river about dusk and stood near me for an hour. At first I thought he was real — was real, and I warned him that he had better stand further off if he didn’t want to be hooked. And then it struck me he wasn’t real, and I cast, well, right through him, and about seven he walked up towards the house.”

“Were you frightened?”

“No. It was so tremendously interesting. So you saw him here too. Whereabouts?”

“Just outside. I think he is in the house now.”

Jack looked round.

“Did you see him come in?” he asked.

“No, but I felt him. There’s another queer thing too; the chimney of the brick-kiln is smoking.”

Jack looked out of the window. It was nearly dark, but the wreathing smoke could just be seen.

“So it is,” he said, “fat, greasy smoke. I think I’ll go up and see what’s on. Come too?”

“I think not,” I said.

“Are you frightened? It isn’t worth while. Besides, it is so tremendously interesting.”

Jack came back from his little expedition still interested. He had found nothing stirring at the kiln, but though it was then nearly dark the interior was faintly luminous, and against the black of the sky he could see a wisp of thick white smoke floating northwards. But for the rest of the evening we neither heard nor saw anything of abnormal import, and the next day ran a course of undisturbed hours. Then suddenly a hellish activity was manifested.

That night, while I was undressing for bed, I heard a bell ring furiously, and I thought I heard a shout also. I guessed where the ring came from, since Franklyn and his wife had long ago gone to bed, and went straight to Jack’s room. But as I tapped at the door I heard his voice from inside calling loud to me. “Take care,” it said, “he’s close to the door....”

The House with the Brick-Kiln

E. F. Benson

Above the river Fawn: The Man Who Went Too Far by E. F. Benson

....though one would have thought that these benign and cheerful influences of wholesome air and spaciousness of forest were very healthful comrades for a man, in so far as Nature can really influence this wonderful human genus which has in these centuries learned to defy her most violent storms in its well-established houses, to bridle her torrents and make them light its streets, to tunnel her mountains and plough her seas, the inhabitants of St. Faith’s will not willingly venture into the forest after dark. For in spite of the silence and loneliness of the hooded night it seems that a man is not sure in what company he may suddenly find himself, and though it is difficult to get from these villagers any very clear story of occult appearances, the feeling is widespread. One story indeed I have heard with some definiteness, the tale of a monstrous goat that has been seen to skip with hellish glee about the woods and shady places, and this perhaps is connected with the story which I have here attempted to piece together....

The Man Who Went Too Far

E. F. Benson

Not a sound could I utter: "Between the Lights" by E.F. Benson

A "round the Christmas fire" tale, but no clanking chains or moaning specters.

....A sudden draught fluted in the chimney, and the fire flared up as the current of air caught it.

The wind also drove the snow against the windows, and as he said, "Listen," we heard a soft scurry of the falling flakes against the panes, like the soft tread of many little people who stepped lightly, but with the persistence of multitudes who were flocking to some rendezvous. Hundreds of little feet seemed to be gathering outside; only the glass kept them out....

The first anecdote: croquet on a warm Christmas day the previous year:

...."Anyhow, I was sitting out," he said to me, "while you and my wife played your half-game of croquet. Then it struck me that it was not so warm as I had supposed, because quite suddenly I shivered. And shivering I looked up. But I did not see you and her playing croquet at all. I saw something which had no relation to you and her — at least I hope not."

Now the angler lands his fish, the stalker kills his stag, and the speaker holds his audience.

And as the fish is gaffed, and as the stag is shot, so were we held. There was no getting away till he had finished with us.

"You all know the croquet lawn," he said, "and how it is bounded all round by a flower border with a brick wall behind it, through which, you will remember, there is only one gate.

"Well, I looked up and saw that the lawn — I could for one moment see it was still a lawn — was shrinking, and the walls closing in upon it. As they closed in too, they grew higher, and simultaneously the light began to fade and be sucked from the sky, till it grew quite dark overhead and only a glimmer of light came in through the gate.

"There was, as I told you, a dahlia in flower that day, and as this dreadful darkness and bewilderment came over me, I remember that my eyes sought it in a kind of despair, holding on, as it were, to any familiar object. But it was no longer a dahlia, and for the red of its petals I saw only the red of some feeble firelight. And at that moment the hallucination was complete. I was no longer sitting on the lawn watching croquet, but I was in a low-roofed room, something like a cattle-shed, but round. Close above my head, though I was sitting down, ran rafters from wall to wall. It was nearly dark, but a little light came in from the door opposite to me, which seemed to lead into a passage that communicated with the exterior of the place. Little, however, of the wholesome air came into this dreadful den; the atmosphere was oppressive and foul beyond all telling, it was as if for years it had been the place of some human menagerie, and for those years had been uncleaned and unsweetened by the winds of heaven. Yet that oppressiveness was nothing to the awful horror of the place from the view of the spirit. Some dreadful atmosphere of crime and abomination dwelt heavy in it, its denizens, whoever they were, were scarce human, so it seemed to me, and though men and women, were akin more to the beasts of the field. And in addition there was present to me some sense of the weight of years; I had been taken and thrust down into some epoch of dim antiquity."

He paused a moment, and the fire on the hearth leaped up for a second and then died down again. But in that gleam I saw that all faces were turned to Everard, and that all wore some look of dreadful expectancy. Certainly I felt it myself, and waited in a sort of shrinking horror for what was coming.

"As I told you," he continued, "where there had been that unseasonable dahlia, there now burned a dim firelight, and my eyes were drawn there. Shapes were gathered round it; what they were I could not at first see. Then perhaps my eyes got more accustomed to the dusk, or the fire burned better, for I perceived that they were of human form, but very small, for when one rose with a horrible chattering, to his feet, his head was still some inches off the low roof. He was dressed in a sort of shirt that came to his knees, but his arms were bare and covered with hair.

"Then the gesticulation and chattering increased, and I knew that they were talking about me, for they kept pointing in my direction. At that my horror suddenly deepened, for I became aware that I was powerless and could not move hand or foot; a helpless, nightmare impotence had possession of me. I could not lift a finger or turn my head. And in the paralysis of that fear I tried to scream, but not a sound could I utter.

"All this I suppose took place with the instantaneousness of a dream, for at once, and without transition, the whole thing had vanished, and I was back on the lawn again, while the stroke for which my wife was aiming was still unplayed. But my face was dripping with perspiration, and I was trembling all over....

"Between the Lights" by E.F. Benson

Saturday, September 22, 2018

The Creatures by Walter De La Mare

"The Creatures" by Walter De La Mare

First published in London Mercury, January 1920

Our narrator listens to the experience of a fellow night-train passenger, describing  an encounter he had while on a walking tour in the mountainous UK west.

A delicate, moving tale, mentioned in Carole G. Silver's Strange and Secret Peoples.

....He asked, rather in courtesy than with any active interest, a few questions, referring to the world, its business and transports – our beautiful world – as an astronomer in the small hours might murmur a few words to the chance-sent guest of his solitude concerning the secrets of Uranus or Saturn. There is another, an inexplorable side to the moon. Yet he said enough for me to gather that he, too, was of that small tribe of the aloof and wild to which our cracked old word "forsaken" might be applied, hermits, lamas, clay-matted fakirs, and such-like; the snowy birds that play and cry amid mid-oceanic surges; the living of an oasis of the wilderness; which share a reality only distantly dreamed of by the time-driven thought-corroded congregations of man.

Yet so narrow and hazardous I somehow realized was the brink of fellow-being (shall I call it?) which we shared, he and I, that again and again fantasy within me seemed to hover over that precipice Night knows as fear. It was he, it seemed, with that still embracive contemplation of his, with that far-away yet reassuring smile, that kept my poise, my balance. "No," some voice within him seemed to utter, "you are safe; the bounds are fixed; though hallucination chaunt its decoy, you shall not irretrievably pass over. Eat and drink, and presently return to 'life'." And I listened, and, like that of a drowsy child in its cradle, my consciousness sank deeper and deeper, stilled, pacified, into the dream amid which, as it seemed, this soundless house of stone now reared its walls.

'I had all but finished my meal when I heard footsteps approaching on the flags without. The murmur of other voices, distinguishably shrill yet guttural even at a distance, and in spite of the dense stones and beams of the house which had blunted their timbre, had already reached me. Now the feet halted. I turned my head – cautiously, even perhaps apprehensively – and confronted two figures in the doorway.

'I cannot now guess the age of my entertainer. These children – for children they were in face and gesture and effect, though as to form and stature apparently in their last teens – these children were far more problematical. I say "form and stature", yet obviously they were dwarfish. Their heads were sunken between their shoulders, their hair thick, their eyes disconcertingly deep-set. They were ungainly, their features peculiarly irregular, as if two races from the ends of the earth had in them intermingled their blood and strangeness; as if,
rather, animal and angel had connived in their creation....

Walter de la Mare, like Aickman, is a taste I have yet to acquire.

I find Machen, E.F. Benson and M.R. James are far more congenial and aesthetically energizing.

But more tales like "The Creatures" could well turn the tide.

22 September 2018

Friday, September 21, 2018

Reading notes on N by Arthur Machen [1936]

I made the below notes/excerpts during my fifth rereading of Machen's sublime "N."  I did this to fix the sequence of events in my mind: the wonderful trio of punch drinkers; Rev. Hampole's memoir/guidebook of suburban exploration; the interview with the "lunatic"; and the pub scene.

As with "The Great God Pan," "The Three Imposters," and "The Terror," Machen here employs multiple viewpoints to pull together the fragments of a supremely uncanny tale.  

I have many favorite Machen stories, but this one is something special.


21 September 2018


Reading notes on N by Arthur Machen


Chapter One

….Perrott's rooms, Mitre Place

….Harliss; and he was supposed to have something to do with chemicals and carboys and crystals.

….third friend, Arnold

Chapter Two

....between the third and fourth filling, the talk drew away from central London and the lost, beloved Strand and began to go farther afield, into stranger, less-known territories.


...."I once knew a man," said Perrott, "who knew all about Stoke Newington; at least he ought to have known about it. He was a Poe enthusiast, and he wanted to find out whether the school where Poe boarded when he was a little boy was still standing. He went again and again; and the odd thing is that, in spite of his interest in the matter, he didn't seem to know whether the school was still there, or whether he had seen it. He spoke of certain survivals of the Stoke Newington that Poe indicates in a phrase or two in 'William Wilson': the dreamy village, the misty trees, the old rambling red-brick houses, standing in their gardens, with high walls all about them. But though he declared that he had gone so far as to interview the vicar, and could describe the old church with the dormer windows, he could never make up his mind whether he had seen Poe's school."


....'But upon my word I don't know. I went once, I think, about 95, and then, again, in 99—that was the time I called on the vicar; and I have never been since.' He talked like a man who had gone into a mist, and could not speak with any certainty of the shapes he had seen in it.


....' he said to me, 'have you ever been in Stoke Newington?' I confessed that I hadn't, that I had never had any reason to go there. 'Exactly; and I don't suppose you've ever even heard of Canon's Park?' I confessed ignorance again. He said it was an extraordinary thing that such a beautiful place as this, within four or five miles of the centre of London, seemed absolutely unknown and unheard of by nine Londoners out of ten."

"I know every inch of that neighbourhood," broke in Harliss. "I was born there and lived there till I was sixteen. There's no such place anywhere near Stoke Newington."


..... But it's all quite ordinary; there's nothing beautiful about it."

"But my cousin said it was an amazing place. Not a bit like the ordinary London parks or anything of the kind he'd seen abroad. You go in through a gateway, and he said it was like finding yourself in another country. Such trees, that must have been brought from the end of the world: there were none like them in England, though one or two reminded him of trees in Kew Gardens; deep hollows with streams running from the rocks; lawns all purple and gold with flowers, and golden lilies too, towering up into the trees, and mixing with the crimson of the flowers that hung from the boughs. And here and there, there were little summer-houses and temples, shining white in the sun, like a view in China, as he put it."

Harliss did not fail with his response, "I tell you there's no such place."

And he added:

"And, anyhow, it all sounds a bit too flowery. But perhaps your cousin was that sort of man: ready to be enthusiastic over a patch of dandelions in a back-garden. A friend of mine once sent me a wire to 'come at once: most important: meet me St. John's Wood Station.' Of course I went, thinking it must be really important; 'and what he wanted was to show me the garden of a house to let in Grove End Road, which was a blaze of dandelions."

"And a very beautiful sight," said Arnold, with fervour.


....they had felt for some time that they had gone too far away from their known world, and from the friendly tavern fires of the Strand, into the wild no man's land of the north.


....there was something in the tale of this suburban park that remained with Arnold and beset him, and sent him at last to the remote north of the story.


....A London Walk: Meditations in the Streets of the Metropolis. The author was the Reverend Thomas Hampole


....The accustomed scene has lost its familiar appearance. The houses which you have passed daily, it may be for years, as you have issued forth on your business or on your pleasure, now seem as if you beheld them for the first time.


....mysterious change, into something rich and strange


....that in his opinion that which we now regard as stubborn matter was, primally, to use his singular phraseology, the Heavenly Chaos, a soft and ductile substance, which could be moulded by the imagination of uncorrupted man into whatever forms he chose it to assume. "Strange as it may seem," he added, "the wild inventions (as we consider them) of the Arabian Tales give us some notion of the powers of the homo protoplastus. The prosperous city becomes a lake, the carpet transports us in an instant of time, or rather without time, from one end of the earth to another, the palace rises at a word from nothingness. Magic, we call all this, while we deride the possibility of any such feats; but this magic of the East is but a confused and fragmentary recollection of operations which were of the first nature of man, and of the fiat which was then entrusted to him."


....After mutual expressions of polite regret, I rose from my chair, and was about to make my farewells, when I observed that Glanville was gazing at me with a fixed and singular regard.

"One moment," he said, beckoning me to the window, where he was standing. "I want to show you the view. I don't think you have seen it."

The suggestion struck me as peculiar, to say the least of it. I was, of course, familiar with the street in which Glanville resided, as with most of the S.N. streets; and he on his side must have been well aware that no prospect that his window might command could show me anything that I had not seen many times during my four months' stay in the parish. In addition to this, the streets of our London suburbs do not often offer a spectacle to engage the amateur of landscape and the picturesque. I was hesitating, hardly knowing whether to comply with Glanville's request, or to treat it as a piece of pleasantry, when it struck me that it was possible that his first-floor window might afford a distant view of St. Paul's Cathedral; I accordingly stepped to his side, and waited for him to indicate the scene which he, presumably, wished me to admire.

His features still wore the odd expression which I have already remarked.

"Now," said he, "look out and tell me what you see."

Still bewildered, I looked through the window, and saw exactly that which I had expected to see: a row or terrace of neatly designed residences, separated from the highway by a parterre or miniature park, adorned with trees and shrubs. A road, passing to the right of the terrace, gave a view of streets and crescents of more recent construction, and of some degree of elegance. Still, in the whole of the familiar spectacle I saw nothing to warrant any particular attention; and, in a more or less jocular manner, I said as much to Glanville.

By way of reply, he touched me lightly with his finger-tips on the shoulder, and said:

"Look again."

I did so. For a moment, my heart stood still, and I gasped for breath. Before me, in place of the familiar structures, there was disclosed a panorama of unearthly, of astounding beauty. In deep dells, bowered by overhanging trees, there bloomed flowers such as only dreams can show; such deep purples that yet seemed to glow like precious stones with a hidden but ever-present radiance, roses whose hues outshone any that are to be seen in our gardens, tall lilies alive with light, and blossoms that were as beaten gold. I saw well-shaded walks that went down to green hollows bordered with thyme; and here and there the grassy eminence above, and the bubbling well below, were crowned with architecture of fantastic and unaccustomed beauty, which seemed to speak of fairyland itself. I might almost say that my soul was ravished by the spectacle displayed before me. I was possessed by a degree of rapture and delight such as I had never experienced. A sense of beatitude pervaded my whole being; my bliss was such as cannot be expressed by words. I uttered an inarticulate cry of joy and wonder. And then, under the influence of a swift revulsion of terror, which even now I cannot explain, I turned and rushed from the room and from the house, without one word of comment or farewell to the extraordinary man who had done—I knew not what.

In great perturbation and confusion of mind, I made my way into the street. Needless to say, no trace of the phantasmagoria that had been displayed before me remained. The familiar street had resumed its usual aspect, the terrace stood as I had always seen it, and the newer buildings beyond, where I had seen oh! what dells of delight, what blossoms of glory, stood as before in their neat, though unostentatious order. Where I had seen valleys embowered in green leafage, waving gently in the sunshine and the summer breeze, there were now boughs bare and black, scarce showing so much as a single bud. As I have mentioned, the season was early in March, and a black frost which had set in ten days or a fortnight before still constrained the earth and its vegetation.

I walked hurriedly away to my lodgings, which were some distance from the abode of Glanville. I was sincerely glad to think that I was leaving the neighbourhood on the following day. I may say that up to the present moment I have never revisited S.N.


Chapter Four

....Arnold was generally known as an idle man; and, as he said himself, he hardly knew what the inside of an office was like. But he was laborious in his idleness, and always ready to take any amount of pains, over anything in which he was interested. And he was very much interested in this Canon's Park business. He felt sure that there was a link between Mr. Hampole's odd story—"more than odd," he meditated—and the experience of Perrott's cousin, the wheat-breeder from the west country.

*** its best, there could not have been anything in its aspect to suggest the wonderful vision which the clergyman thought he had seen from Glanville's window. And suburban gardens, however well kept, could not explain the farmer's rhapsodies. Arnold repeated the sacred words of the explanation formula: telepathy, hallucination, hypnotism; but felt very little easier.


....the appearances ascribed to a telepathic agency were all personal; visions of people, not of places: there were no telepathic landscapes.


....You had to accept it; but there was no rationale of it. It was a problem that had to be given up.


[Pub scene]:

—"Canon's Park was quiet enough in our young days, wasn't it? It would have suited this gentleman then, I'm sure."

"Perhaps so," said Mr. Batts. "Perhaps so, and perhaps not. There's quiet, and quiet."

And a certain stillness fell upon the little party of old men. They seemed to ruminate, to drink their beer in slower sips.

"There was always something about the place I didn't altogether like," said one of them at last. "But I'm sure I don't know why."

"Wasn't there some tale of a murder there, a long time ago? Or was it a man that killed himself, and was buried at the crossroads by the green, with a stake through his heart?"

"I never heard of that, but I've heard my father say that there was a lot of fever about there formerly."

"I think you're all wide of the mark, gentlemen, if you'll excuse my saying so"—this from an elderly man in a corner, who had said very little hitherto. "I wouldn't say Canon's Park had a bad name, far from it. But there certainly was something about it that many people didn't like; fought shy of, you may say. And it's my belief that it was all on account of the lunatic asylum that used to be there, awhile ago."

"A lunatic asylum was there?" Arnold's particular friend asked. "Well, I think I remember hearing something to that effect in my very young days, now you recall the circumstances. I know we boys used to be very shy of going through Canon's Park after dark. My father used to send me on errands that way now and again, and I always got another boy to come along with me if I could. But I don't remember that we were particularly afraid of the lunatics either. In fact, I hardly know what we were afraid of, now I come to think of it."

"Well, Mr. Reynolds, it's a long time ago; but I do think it was that madhouse put people off Canon's Park in the first place. You know where it was, don't you?"

"I can't say I do."

"Well, it was that big house right in the middle of the park, that had been empty years and years—forty years, I dare say, and going to ruin."

"You mean the place where Empress Mansions are now? Oh, yes, of course. Why they pulled it down more than twenty years ago, and then the land was lying idle all through the war and long after. A dismal-looking old place it was; I remember it well: the ivy growing over the chimney-pots, and the windows smashed, and the 'To Let' boards smothered in creepers. Was that house an asylum in its day?"

"That was the very house, sir. Himalaya House, it was called. In the first place it was built on to an old farmhouse by a rich gentleman from India, and when he died, having no children, his relations sold the property to a doctor. And he turned it into a madhouse. And as I was saying, I think people didn't much like the idea of it. You know, those places weren't so well looked after as they say they are now, and some very unpleasant stories got about; I'm not sure if the doctor didn't get mixed up in a lawsuit over a gentleman, of good family, I believe, who had been shut up in Himalaya House by his relations for years, and as sensible as you or me all the time. And then there was that young fellow that managed to escape: that was a queer business. Though there was no doubt that he was mad enough for anything."

"One of them got away, did he?" Arnold inquired, wishing to break the silence that again fell on the circle.

"That was so. I don't know how he managed it, as they were said to be very strictly kept, but he contrived to climb out or creep out somehow or other, one evening about tea time, and walked as quietly as you please up the road, and took lodgings close by here, in that row of old red-brick houses that stood where the technical college is now. I remember well hearing Mrs. Wilson that kept the lodgings—she lived to be a very old woman—telling my mother that she never saw a nice-looking, better-spoken young man than this Mr. Valiance—I think he called himself: not his real name, of course. He told her a proper story enough about coming from Norwich, and having to be very quiet on account of his studies and all that. He had his carpetbag in his hand, and said the heavy luggage was coming later, and paid a fortnight in advance, quite regular. Of course, the doctor's men were after him directly and making inquiries in all directions, but Mrs. Wilson never thought for a moment that this quiet young lodger of hers was the missing madman. Not for some time, that is."

Arnold took advantage of a rhetorical pause in the story. He leaned forward to the landlord, who was leaning over the bar, and listening like the rest. Presently orders round were solicited, and each of the circle voted for a small drop of gin, feeling "mild" or even "bitter" to be inadequate to the crisis of such a tale. And then, with courteous expressions, they drank the health of "our friend sitting by our friend Mr. Reynolds." And one of them said:

"So she found out, did she?"

"I believe," the narrator continued, "that it was a week or thereabouts before Mrs. Wilson saw there was something wrong. It was when she was clearing away his tea, he suddenly spoke up, and says:

"'What I like about these apartments of yours, Mrs. Wilson, is the amazing view you have from your windows.'

"Well, you know, that was enough to startle her. We all of us know what there was to see from the windows of Rodman's Row: Fothergill Terrace, and Chatham Street, and Canon's Park: very nice properties, no doubt, all of them, but nothing to write home about, as the young people say. So Mrs. Wilson didn't know how to take it quite, and thought it might be a joke. She put down the tea-tray, and looked the lodger straight in the face.

"'What is it, sir, you particularly admire, if I might ask?'

"'What do I admire?' said he. 'Everything.' And then, it seems, he began to talk the most outrageous nonsense about golden and silver and purple flowers, and the bubbling well, and the walk that went under the trees right into the wood, and the fairy house on the hill; and I don't know what. He wanted Mrs. Wilson to come to the window and look at it all. She was frightened, and took up her tray, and got out of the room as quick as she could; and I don't wonder at it. And that night, when she was going up to bed, she passed her lodger's door, and heard him talking out loud, and she stopped to listen. Mind you, I don't think you can blame the woman for listening. I dare say she wanted to know who and what she had got in her house. At first she couldn't make out what he was saying. He was jabbering in what sounded like a foreign language; and then he cried out in plain English as if he were talking to a young lady, and making use of very affectionate expressions.

"That was too much for Mrs. Wilson, and she went off to bed with her heart in her boots, and hardly got to sleep all through the night. The next morning the gentleman seemed quiet enough, but Mrs. Wilson knew he wasn't to be trusted, and directly after breakfast she went round to the neighbours, and began to ask questions. Then, of course, it came out who her lodger must be, and she sent word round to Himalaya House. And the doctor's men took the young fellow back. And, bless my soul, gentlemen; it's close on ten o'clock."


....he wondered whether Mrs. Wilson's lodger was a madman at all; any madder than Mr. Hampole, or the farmer from Somerset


Chapter Five a cool breeze, that wafted a vague odour of hayfields far away into the very heart of London.


....I felt as if I would like to have another look at this singular park, and I went up there one dark afternoon. And then and there I came upon the young man who had lost his way, and had lost—as he said—the one who lived in the white house on the hill. And I am not going to tell you about her, or her house, or her enchanted gardens. But I am sure that the young man was lost also—and for ever."

And after a pause, he added:

"I believe that there is a perichoresis, an interpenetration. It is possible, indeed, that we three are now sitting among desolate rocks, by bitter streams . . . And with what companions?"